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But these memories brought me no comfort here, nor did they prompt me to dismiss Norah Fletcher’s concern with some patronizing lecture on symbiotic relationships.
For the long, thick twist of discolored strands was no mere tuft of cut or plucked hair. It was bound at its base by a small, withered, leathery patch of scalp.
The snow had stopped falling by the time we gathered in Norah Fletcher’s back yard on Hillcrest Terrace, high above Brattleboro, Vermont. The street marked the abrupt end of the town’s urban expansion to the southwest. On one side, in front of Norah’s home, was a modest, middle class neighborhood, clinging to the side of a steep hill, and overlooking the town, the distant mountains, and the interstate slicing through it all. On the other side-neatly sheeted in glistening, pristine white-was a vast, empty, featureless field that stretched up and away to the horizon like a frothy, frozen sea.
Separating Norah’s back yard from that barren field, a split-rail fence stood guard like the shaky railing of some decrepit ancient ship-a faint and picturesque reminder of how much of Vermont remains dominated by its natural surroundings, despite the ambitions of urban developers and condo builders alike.
Norah, her mother Ann, my second-in-command Sammie Martens, and I stood in a cluster by the back door under the pale gray sky, and silently took in the implications of Norah’s discovery.
“If there is a body out there,” Sammie muttered bluntly. “It’ll be a neat trick finding it.”
Ann Fletcher shook her head, resting her hand lightly on her daughter’s shoulder. “Birds use hair all the time in their nests. I told Norah that. I asked her not to pester you people.”
Norah didn’t react. She remained motionless, looking out at the wooden birdhouse that was nailed to an upright by one of the fence posts outlined like a ship’s crow’s nest against the fathomless pale expanse beyond it. She didn’t shake off her mother’s hand, which was there more in support than as a rebuke in any case, but I could sense the restless energy between them-of single parent and single child, strained by the mutual need to be independent, yet united by the strong bonds of steady companionship. Ann had told me earlier, when we’d dropped by her office to pick her up, that Norah was a loner-a studious perfectionist who preferred the tranquillity of her own company to the chaotic tumble of her schoolmates-and that she sometimes lacked the benefit of other people’s opinions in forming her own thoughts.
A loner myself, I sympathized with the child.
“We’re glad she did pester us, Mrs. Fletcher. You’re right about the hair. We’ve even found marijuana growers collecting it from barber shops to ward off deer. But what Norah found wasn’t cut.”
I let the unstated implication float in the frigid air, interlaced with the mist from our breathing.
“Oh,” Ann Fletcher finally murmured.
“Norah,” I asked the girl, “From what you’ve told me, I guess you monitor those chickadees pretty closely.”
She kept her eyes on the fence. “I watched them every day.” Her tone reflected her sorrow that such constant friends had become involved in something so grim.
“When did they build the nest?”
She didn’t hesitate. “Early July. That’s late for chickadees. I tried to look up why, but I couldn’t find it anywhere. Maybe it was because June got so hot all of a sudden, after May was so cold. They might’ve gotten confused. Or they could’ve tried to nest someplace else that didn’t work out, so they came back here. I don’t know.”
That all sounded reasonable to me, who had but a layman’s knowledge of such things. I waved a hand toward the fence like a genial host. “Let’s get right up to it.”
We shuffled through the thick, soundless snow up the tilting yard until we were standing around the birdbox, nailed about head-high on its pole. There were several small evergreens planted in a row parallel to the fence, their presence further emphasizing the emptiness before us. Far to our right, however, coinciding with the end of the block, I saw a straight line of dark, prickly, bare-branched woods running along one side of the field-up and over the crest of the hill, vanishing from view to the south.
Norah caught my look. “That’s their territory. They never nest too far from woods. A single pair needs at least two or three acres. This box is a little far away, but I coaxed them here with some good food, and I lined the box with sawdust. They like that… at least they did.”
I put my own hand on her shoulder and gave her a small squeeze. “They’ll be back. This kind of thing only bothers us.”
“I guess so.”
Sammie-small, muscular, and energetic, an ex-Army Ranger prone to action-was becoming restless with my tempered approach. She leaned her elbows on the railing and nodded toward the field with her chin. “How many acres do you figure?”
“About fifty,” Ann Fletcher answered from slightly behind us.
I turned to her, wondering if her hanging back was the product of embarrassment for having downplayed her child’s discovery, or fear of what it might yield. “Is it used for anything?”
She shook her head. “No. It’s owned by someone from Florida. They have a big house on the other side. It used to be farmland, but it just sits there now.”
“Do people use it for picnics or hikes or anything?” Sammie asked.
“The children play along the edges sometimes, and go exploring in the woods. But nobody I know goes out into the middle.”
“It’s a little scary,” Norah added softly.
“How so?” I asked.
She looked up at me for the first time since we’d arrived here. Her eyes were magnified by the thick glasses, giving her a dreamy quality. “It’s just so big, and it’s tilted so you can see everything in the valley,” she pointed north, beyond her house. “It makes you kind of dizzy-and it’s hot and buggy in the summer.”
I kept my eyes on hers, probing for any knowledge possibly lurking below the surface, conscious or not. “What do you think happened out there, Norah?”
Next to me, I could hear her mother’s small intake of breath.
The child answered in the form of a question, “Someone died?”
“Besides the hair in the nest, is there anything else that makes you think that?”
I sensed Ann Fletcher’s alarm, her yearning to speak on her daughter’s behalf. But there was something else, too-a hesitation that spoke of her concern that Norah might know more than she’d previously let on.
But Norah looked genuinely baffled. “I don’t understand.”
I shrugged slightly, privately relieved. “Something you saw, heard ---”
“Smelled,” Sammie finished abruptly.
Norah wrinkled her nose, dissipating the tension. “No. I would have remembered that.”
I turned to Sammie. “Better get a team together. We can’t do anything with that,” I gestured toward the snow-covered field. “But maybe one of the neighbors can tell us something. And try to find somebody from Fish and Game. If Norah’s chickadees used the hair, maybe some other animals were busy, too. We need to know where to look.”
Sammie shook her head. “That could take some time. They’re already short-staffed in this area. I heard about a guy who’s trained dogs for this kind of thing.”
I knew the man she was meant-the owner of specialized, so-called “cadaver dogs.” I’d called him at his office in Maine before coming here, and now passed along what he’d told me. “Too cold. A body out there doesn’t smell any more than what’s in your freezer.”
“Miss Evans might be able to help,” Norah said quietly.
We both looked at her.
“She’s my science teacher-a naturalist. She’s the one who got me interested in birds. She knows all sorts of stuff.”
I glanced at Ann Fletcher, who nodded reluctantly. “That’s true. She’s very good-Christine Evans. I could give you her number.”
“Give it to Detective Martens here. She’ll be organizing all this.”
Sammie and Norah’s mother wal
ked back to the gray house, their gestures exaggerated by having to wade through the deep snow. Norah was back staring at the field, her gloved hands resting on the railing-the pensive loner, I reminded myself. I wondered what was going through her mind.
“You really think somebody’s out there?” she asked as I took up position next to her.
“We may not know for sure till the spring, but your birds got that hair from somewhere-either the field or the woods-and when I showed it to him, our forensics expert confirmed it came from a human. Of course, it might’ve been someone old and sick with no family, who just chose this spot to die in peace. That happens sometimes.”
She startled me then with a child’s typical lack of lasting melancholy, “It’s kind of neat.”
I didn’t argue the point. From her perspective, that’s exactly what it was. But even had I wished it, I couldn’t be so detached. My curiosity wasn’t restricted to the fact that the mysterious shank of hair had once belonged to someone alive. I had to discover the cause of death, and odds were it hadn’t been as benign as the picture I’d just painted for Norah.
About the Author
Over the years, Archer Mayor has been photographer, teacher, historian, scholarly editor, feature writer, travel writer, lab technician, political advance man, medical illustrator, newspaper writer, history researcher, publications consultant, constable, and EMT/firefighter. He is also half Argentine, speaks two languages, and has lived in several countries on two continents.
All of which makes makes him restless, curious, unemployable, or all three. Whatever he is, it’s clearly not cured, since he’s currently a novelist, a death investigator for Vermont’s medical examiner, and a police officer.
Mayor has been producing the Joe Gunther novels since 1988, many of which have made “Ten Best” or “Most Notable” lists of the Los Angeles Times, the New York Times and many other publications. His latest book is a New York Times bestseller. He has received the New England Booksellers Association Award for fiction.
Find him on the web at www.ArcherMayor.com
Also by Archer Mayor
The Joe Gunther Mysteries
Open Season
Borderlines
Scent of Evil
The Skeleton’s Knee
Fruits of the Poisonous Tree
The Dark Root
The Ragman’s Memory
Bellows Falls
The Disposable Man
Occam’s Razor
The Marble Mask
Tucker Peak
The Sniper’s Wife
Gatekeeper
The Surrogate Thief
St. Albans Fire
The Second Mouse
Chat
The Catch
The Price of Malice
Red Herring
Tag Man
Copyright
This digital edition (v1.2) of The Dark Root was published by MarchMedia in 2013.
If you downloaded this book from a filesharing network, either individually or as part of a larger torrent, the author has received no compensation. Please consider purchasing a legitimate copy—they are reasonably priced and available from all major outlets. Your author thanks you.
Copyright © 2012 by Archer Mayor.
ISBN: 978-1-939767-06-6
This is a work of fiction. Any resemblance to actual persons living or dead, events, or locales is entirely coincidental.
Errata
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Also by Archer Mayor
Lt. Joe Gunther of the Brattleboro, Vermont police force has a serious problem: in a community where a decade could pass without a single murder, the body count is suddenly mounting. Innocent citizens are being killed—and others set-up—seemingly orchestrated by a mysterious ski-masked man. Signs suggest that a three year-old murder trial might lie at the heart of things, but it’s a case that many in the department would prefer remained closed. A man of quiet integrity, Lt. Gunther knows that he must pursue the case to its conclusion, wherever it leads.
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Seconded to the State’s Attorney’s office, Lt. Joe Gunther is in Vermont’s Northeast Kingdom investigating a minor embezzling case. It’s a pleasant distraction, and a chance to reconnect with old friends, but when a house fire reveals itself to be arson, compounded by murder, Gunther can’t help but investigate. Suddenly, he finds himself enmeshed in a web of animosity between put-upon townspeople, the state police, angry parents and members of a reclusive sect. Murder follows murder, yet no one seems to be telling Gunther the whole truth—not even his childhood friends—and truth is what he desperately needs if he’s to stop the killings.
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When the body of a fast-living young stockbroker is found in a shallow grave, suspicion first falls on a cuckolded policeman. Lt. Joe Gunther investigates the increasingly bizarre details of the crime, but finds that he’s too far behind events to prevent a second murder. Indeed, whoever is responsible always seems to be a few steps ahead, as if there’s a leak on the force. Sweltering August heat does nothing to calm the increasingly agitated town selectmen, who demand results.
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When a reclusive market gardener’s death proves to stem from a 20 year-old bullet wound, Lt. Joe Gunther is presented with a very cold homicide to solve. But who was the victim exactly? A deeply private man eking out an ascetic existence from a hardscrabble mountain field, Abraham Fuller was virtually unknown to his neighbors, in the manner of someone pursuing more than mere solitude. The discovery of a duffle of unmarked bills and a body buried in the garden patch suggests that Fuller had motives beyond misanthropy. Nor is it such a cold case either, as someone seems willing to kill to ensure that old secrets remain buried.
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Gail Zigman, town selectwoman and Joe Gunther’s companion of many years, is raped, and the detective finds himself caught between the media, local politicians, and a network of well-meaning victims’ rights advocates as he tries to put his own feelings aside and follow the trail of evidence.
Every lead seems to point to a single, obvious suspect, but is the evidence too perfect? Risking his friendship with Gail, the respect of his peers, and his own life, Lt. Gunther keeps digging, hoping to find out if the man they have in jail is rightly there, or if the evidence against him is tainted—"fruits of the poisonous tree."
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A brutal home invasion shocks Brattleboro’s small Asian community, but no one’s talking. Undeterred, Joe Gunther digs deeper and discovers a cross-border smuggling route carrying drugs, contraband, and illegal aliens into and out of Canada. Operating below the radar for years, competition between underworld rivals is bringing it into the light with deadly consequences. International jurisdiction is a complicated thing, and Gunther will have to collaborate with the FBI, the Border Patrol and the Mounties in the pursuit of justice.
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A small girl brings Joe Gunther a bird’s nest—made partially of human hair. In the search to put a body, and an identity, to the hair’s owner, Joe comes upon an unexplained death, a grisly murder, and a sudden disappearance. All seem to be entangled in a puzzling web of municipal corruption, blackmail, and industrial espionage. A shell-shocked World War II vet nicknamed “The Ragman” may hold the key to it all, if Joe can get him to talk before the
murderer strikes again.
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Joe Gunther is seconded to the neighboring town of Bellows Falls to investigate harassment allegations against a fellow officer. What begins as a seemingly open-and-shut case comes to look more and more like a frame job as Gunther doggedly pursues the truth, and soon he finds himself feeling around the edges of a statewide drug distribution network. As always, Vermont itself is a major character in Mayor’s writing, with Bellows Falls standing in for any number of slowly decaying once-proud mill towns.
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When a local quarry yields up a garroted body with bad dental work and toes tattooed in Cyrillic, Joe Gunther figures it for a Russian mafia killing, rare as that might be in Vermont. But it’s so very… tidy. So very… professional. Then the CIA calls, inviting Gunther down to Washington for some friendly “assistance” with his case. Suddenly he’s caught up a shadowy game of cross and double-cross—manipulated by cynical cold warriors who seem not to have gotten the memo—and Gunther soon realizes that he’s a pawn that both sides are willing to sacrifice.
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The body was positioned so that the train neatly obliterated its head and hands. Dressed in a homeless man’s clothes with empty pockets, it might easily be passed-off as an unfortunate John Doe. And yet… Joe Gunther has a knack for knowing when things don’t quite add up, and the math in this case is all kinds of wrong. Add a toxic waste dumping scheme, a stabbing, and a whole lot of state politics… if Occam’s razor were applied to Gunther’s caseload, how many incisions would it make?